AITOR THROUP STUDIO
As Production Coordinator and Studio Manager, I operated at the intersection of design and production, serving as the central point of communication between Aitor Throup and all departments, while shaping creative decisions and leading execution.
AITOR THROUP STUDIO
As Production Coordinator and Studio Manager, I operated at the intersection of design and production, serving as the central point of communication between Aitor Throup and all departments, while shaping creative decisions and leading execution.
Nobut II. is my final Bachelor’s collection, developed at the intersection of research on emotions and material constraint. The project examines human emotional defence mechanisms, translating them into form, structure, and silhouette. Produced entirely from luxury second-hand garments and production offcuts, upcycling becomes a defining design driver that shapes the collection’s visual language. This process led to a deeper investigation into the challenges and potential of upcycling, forming the foundation of my Master’s research into accessible upcycling strategies.
NOBUT II.
NOBUT II.
Nobut II. is my final Bachelor’s collection, developed at the intersection of research on emotions and material constraint. The project examines human emotional defence mechanisms, translating them into form, structure, and silhouette. Produced entirely from luxury second-hand garments and production offcuts, upcycling becomes a defining design driver that shapes the collection’s visual language. This process led to a deeper investigation into the challenges and potential of upcycling, forming the foundation of my Master’s research into accessible upcycling strategies.
NOBUT II.
Nobut II. is my final Bachelor’s collection, developed at the intersection of research on emotions and material constraint. The project examines human emotional defence mechanisms, translating them into form, structure, and silhouette. Produced entirely from luxury second-hand garments and production offcuts, upcycling becomes a defining design driver that shapes the collection’s visual language. This process led to a deeper investigation into the challenges and potential of upcycling, forming the foundation of my Master’s research into accessible upcycling strategies.
My Master’s project explores circular production in luxury fashion through the upcycling of post-production offcuts. Using the Burberry Kensington Trench Coat as a case study, the research addresses textile waste and raw material extraction, while demonstrating economic advantages for companies through reduced material costs and minimised waste.
NOBUT III.
My Master’s project explores circular production in luxury fashion through the upcycling of post-production offcuts. Using the Burberry Kensington Trench Coat as a case study, the research addresses textile waste and raw material extraction, while demonstrating economic advantages for companies through reduced material costs and minimised waste.
My Master’s project explores circular production in luxury fashion through the upcycling of post-production offcuts. Using the Burberry Kensington Trench Coat as a case study, the research addresses textile waste and raw material extraction, while demonstrating economic advantages for companies through reduced material costs and minimised waste.
NOBUT III.
Nobut II. is my final Bachelor’s collection, developed at the intersection of research on emotions and material constraint. The project examines human emotional defence mechanisms, translating them into form, structure, and silhouette. Produced entirely from luxury second-hand garments and production offcuts, upcycling becomes a defining design driver that shapes the collection’s visual language. This process led to a deeper investigation into the challenges and potential of upcycling, forming the foundation of my Master’s research into accessible upcycling strategies.
NOBUT II.
My Master’s project explores circular production in luxury fashion through the upcycling of post-production offcuts. Using the Burberry Kensington Trench Coat as a case study, the research addresses textile waste and raw material extraction, while demonstrating economic advantages for companies through reduced material costs and minimised waste.
NOBUT III.
